So, are you ready for the next lucky bag?
No, I don't even know what you're talking about.
Yes I am. = Here you go then -
Lucky Bag #12
Leave me a comment (but no spoilers please!)
"None of us want to go into that creative hoo-ha of a long-play record again. Not straight off, I mean, it's just become a real drag. It worked with [2007 album] In Rainbows because we had a real fixed idea about where we were going. But we've all said that we can't possibly dive into that again. It'll kill us."
He added that Radiohead "need to get away" from releasing albums in the traditional format...hinting that the band may release new music via EPs or online (as they did with new song 'Harry Patch')
"writing songs for orchestra and orchestrating it fully... and then doing a live take of it and that's it - finished. That's one possible EP because, with things like that, you think do you want to do a whole record like that? Or do you just want to get stuck into it for a bit and see how it feels?"
Reuters, in an otherwise turgid report on Apple's attempt to wring the last bit of money from music lovers via varible pricing, posited this interesting concept
"Apple and the four major labels are working on launching...a music offering code-named "Cocktail" that aims to add value to digital albums sold [in the] iTunes Store." The rumours are that "the new package will include liner notes, artwork and potentially cell phone ringtones and music videos in a unified software package that the labels hope will boost sales of albums"
In a similar vein Apple and EMI unveiled an 'iTunes Pass' in February, "which gave music fans...access to early release singles, a new album upon its release and exclusive videos, remixes and other content".
the lowest price tier may also give labels the flexibility they need to develop digital products other than the album. For example, if a popular new single sells for $1.29, labels or retailers could identify four other songs from similar but unknown acts and sell them as a bundle.
new digital business models...such as Nokia's Comes With Music model and the kind of collective licensing being pioneered by Choruss, both of which would bundle the cost of music into other services or products. Both rely less on a revenue-per-unit model and more on revenue-per-user. Or "pricing the consumer versus pricing the content," as one label digital executive puts it. "We think the real story around price as it relates to the audience for digital music is with respect to the new business models that are user-based as opposed to wholesale price-based."
The songs are primarily meant for congregational worship, and focus on themes related to 1 John 3:1:
See what kind of love the Father has given to us,
that we should be called children of God; and so we are.
The project came out of a perceived lack of songs that help us meditate on the unfathomable love God has shown us in adopting us through Jesus Christ (Eph. 1:5).
(Hey! Wait a minute...what "percieved lack"? I've written a song based on 1 John 3:1! Sorry, carry on Bob...)
We are now part of God’s family - in Christ we will forever be the objects of God’s particular and passionate mercy and love. We are not only forgiven, we are co-heirs with Christ, and never again have to doubt God’s care for us. That biblical reality, rather than leaving us focused on ourselves, drives us once again to proclaim the greatness of the God whose grace turns hopeless rebels into the precious children.
if you’re leading worship and your eyes are tightly shut, no one can communicate with you. Your pastor might need to signal to you that he wants to say something after the song. The sound engineer might need to motion to you to plug in your guitar. Your band members might need to tell you that you’re in the wrong key. Check in visually every once in a while with various people who you know might need to catch your eye.(read the whole thing).
The challenge for worship leaders is how to be 100% engaged in worship, while at the same time being 100% aware of the band, the people, what’s coming up next, the clock, and where the Holy Spirit is leading in the midst of it all.
Read the whole thing
Thomas Chisholm...spent the majority of the rest of his life as a life insurance agent in New Jersey. He died in 1960 at the age of 93. During his life he wrote over 1200 poems, most of which no one will ever hear.
But back in 1923, at the “beyond his prime” age of 57, he sent a few of his poems to William Runyan at the Hope Publishing Company. One of them was Great is Thy Faithfulness, based on Lamentations 3:22-23.
The steadfast love of the LORD never ceases;
his mercies never come to an end;
they are new every morning;
great is your faithfulness.
Runyan was particularly moved by Great is Thy Faithfulness and sought to set it to a melody that would reflect the response of wonder and gratefulness to God’s faithfulness conveyed in the lyrics. Apparently, he succeeded.
The song quickly became a favorite Moody Bible Institute, and later George Beverly Shea sang it at Billy Graham crusades. Now it’s known all over the world and has been used to encourage millions of Christians to trust in a faithful God.
Pretty impressive spiritual fruit from a life insurance agent.
It’s not everyday a bunch of monkeys gives support to one of you ‘pet’ teaching theories but here it is.
Anytime you’re trying to learn something new musically you’re only truly practicing when you’re doing it correctly. If you’re getting it wrong 50, 40 or 30% of the time you are NOT practicing. (Other than practicing how to do it wrong, and chances are you already excel at that).
Prof Earl Miller from MIT, who has already spent more time than is healthy teaching monkeys how to use computers, found that monkey's neurons became more efficient when they made the right decisions but showed no change when they got it wrong. In short (neurologically speaking) you don’t learn by your mistakes.
So what should you do next time you pick up your guitar, or piano (my, you are strong!) and try to get the nice scientist to give you a banana?
Slow the music down till you can play it easily. Playing everything at top speed is one of the biggest errors that people make.
Play a smaller section. Most musicians practice as much music as they can manage till they make a mistake and then they start again.
Bad monkey!
What is happening? Simple.
Every single time you play you are making a mistake.
So what are you really practicing? Making mistakes.
No bananas for you Bonzo!
Isolate the one element that is causing the musical train wreck and just practice that.
It might be a physical thing - you just can’t get your fingers in the right place. So forget about the song, the groove, the tempo. Just get the chord.
It could be a mental thing. The reason you keep messing up is you don’t really know what you’re supposed to be playing in the 14th bar. Learn it.
It could be stamina. Forget the song. Put on Season 2 of My Name Is Earl and play that riff till your arms go numb.
But remember you’re only practicing if you’re getting it right all the time. Listen to the monkeys.
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