Showing posts with label Matt Blick. Show all posts
Showing posts with label Matt Blick. Show all posts

Friday, 19 June 2009

Halle Lujah

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Another one to add to my list of weird gigs.

Last Tues I had the privilege of singing with the world famous Halle Orchestra. At 150 years the Halle is the oldest orchestra in the UK. Along with 400 other amateurs (including two of my children) we attempted 'Zadok the Priest' by Handel and 'O Fortuna' by Carl Orff. The latter is an awesome piece – the lyrics are railing against the tyranny of impersonal fate. I'm sure if I didn't believe in the providence of a loving, wise, personal God, I'd feel like this too...

O Fortune, like the moon
Stands constantly changing,
ever waxing or waning...

Fate - monstrous and empty,
you whirling wheel, stand malevolent,
well-being is vain and always fades to nothing,
shadowed and veiled you plague me too...

since Fate strikes down the strong man,
everyone weep with me!


Thursday, 9 April 2009

Matt Blick Biography



About Me

I’ve been playing guitar for 26 years (after brief false starts on Drums and...erm...Tuba) and have recorded and gigged with all sorts of bands playing everything from Heavy Metal to Jazz, from Contemporary Gospel to Iranian Bagpipe music.

My music teaching career coincided with my conversion to Christianity (God convicted me that I should get a job) and I joined the team that planted Grace Church Nottingham in 2002.

For much of that time I’ve been responsible for developing worship teams & leading worship with Super Robot Monkey Team Hyperforce Go! & Skinny Amfibbian but am currently enjoying a sabbatical.

I am married with 4 children.

About The Name

Young Glory is inspired by a quote from puritan writer Alexander Peden,

"Grace is young glory"

The name is a reminder that the saving grace we receive through Christ will ultimately result in the glory of an eternity with God.

Or, as another puritan Thomas Watson puts it,

"The kingdom of grace is nothing but the beginning of the kingdom of glory.

The kingdom of grace is glory in the seed,
and the kingdom of glory is grace in the flower.
The kingdom of grace is glory in the daybreak,
and the kingdom of glory is grace in the full meridian...

The kingdom of grace leads to the kingdom of glory.”

About The Blog


It's a place for me to post the best stuff from the Wide Wide World of the Interweb on the topics of

with a little
and some
thrown in for good measure.

If it's cool and free I'll try to let you know about it.

I also share mp3s and sheet music for my own songs
And links to songs by other writers that we’re playing at Grace Church Nottingham.

Become a regular reader

I'd really recommend you subscribe to this blog using RSS. It's free and will deliver new posts to your computer. Even better use a feedreader like Google reader. If you're not sure how to go about that read this.

You can also join my mailing list to receive regular email updates.

Please feel free to comment - even if it's just to say Hi!

Matt Blick


Sunday, 1 March 2009

A letter to my pupils

My birthday was on Feb 8th but it took a while to type this up. For those of you who hate reading online you can download it as a pdf to print off and treasure forever ;-). Please pass this along to anyone you know who I have taught.


Today is my 40th birthday. I am not over the hill yet (but you can see it from here). It’s also just about 20 years since I started teaching and I wanted to take this opportunity to write you this letter.


When I started teaching there were no mp3s, instructional DVDs or Internet tab; tab books were rare and wildly inaccurate and Joe Satriani still had hair.


At the age of 20 I expected by now to be famous and dead. 20 years on I find that I am neither. How did this happen? I started on the enterprise allowance scheme as a guitar teacher with the intention of fleecing Mrs Thatcher for £40 a week before going back to unemployment benefit and my plans for rock global domination. Half-way through that year I became a Christian. My life up to that point had been driven by a search for significance, having been told from a very early age by my father that I would never amount to anything. I was determined to prove him wrong and music was my means of doing so. Music (and musical success in particular) was supposed to fill the aching gap in my soul. The only problem was that the more success I had the unhappier I became. I'd just left my first professional band ('professional' meaning I was actually getting paid), we had roadies, a manager, we even had a van! But, as someone once said, “sometimes the further you climb up the ladder of success, the more you realise its leaning against the wrong wall”.


One day, sitting alone, I said to myself/God/whoever: “Whatever it takes to be happy I’m going to do it”. Then a weird thing happened. A conversation I'd had years ago with a woman giving out religious leaflets in the street popped into my head. She'd said “All you need to do to get to heaven is love God”. I decided to figure out how you could love someone you couldn’t see, hear or touch. That was the start of a journey that ended with the Bible, church and Jesus Christ. What I learned was that God had made me to know him as my father but in thousands of ways, small and great, I'd turned my back on Him, determined to live life on my terms. Now it was time to come home.


If it sounds like I got religious then you couldn’t be further from the truth. Religion is when you get a set of rules and try to keep them, but I hadn’t got something, someone had got me. My heart was changing, I felt different about everything including (in case you’re wondering) teaching. I actually wanted to work for a living instead of stiffing the government. When I started I had three pupils - Mark Taylor, Kristie Gill and John Matthews. In the last twenty years I’ve had hundreds more. I wasn’t a very good teacher - I couldn’t really read music, still mixed flats and sharps up and was only one step ahead of some of you. I spent far too long working at whatever you wanted to play instead of teaching you how to work it out for yourself but, just like you, I got better with practice. If you were one of my earliest pupils I can only apologise and say in my defence, that you were only paying £4 a lesson.


Many of you will be atheists of some description (from “I don’t believe in anything unless I can scratch a window with it” to “I have decided not to believe in God because don’t like him/her/it”). And I could try to answer the many varied arguments (I dislike James Blunt but so far he is stubbornly refusing to stop existing) but all I want to say is that God is real, he loves you, and one infinitesimally small evidence of that is that arranged everything so that I'd end up being your teacher.


It’s been a blessing to have taught you all. Not just cause you helped me feed my wife and kids but because I’ve learned so much from you all. Not in a mushy new age way. Lets face it, most of you when you turned up at were clueless, tone deaf and didn’t know which end of the guitar to blow down! But having to work out why the mixolydian mode sounds like country rock, why a flattened 5th sounds evil and explain why D5 is called D5 has made me a better musician. And you've also introduced me to lots of great music from Le Mystere Des Voix Bulgares to The Presidents of the USA.


So as a thank you (and because I'm getting old and increasingly opinionated) consider this fatherly advice a final free lesson…


1. Learn every single note on your instrument (and if you’re a drummer learn a second instrument).


2. Don’t sign a 360-degree deal with a major label.


3. Give away your music for free to start with.


4. When you listen to music spend most of your time listening to music you really love. (If you are doing anything other than breathing while you do this you are not really listening).


5. Listen to Beethoven’s 5th symphony, first movement till you can spot every variation of the “da-da-da-dum” tune.


6. This week download or borrow a CD by someone who is supposed to be brilliant and plays a different style of music to you (try your parents or the library). Do this every week for the next 10 years. You will only like perhaps 30% and that is OK.


7. Listen to what is unfamiliar until you understand it. Listen to what you like until you know it. Then listen to what you love.


8. Write as many bad songs as you can for the next 10 years. It will help. Trust me.


9. In your music collection you should have at least one album you really love by someone who died of natural causes and one album by someone who is NOT British or American.


10. Most music 10 years old will be considered rubbish. Much that is 20 years old will be considered cool. There’s lots of explanations for this, but this will always be the case and just knowing it will keep you ahead of the game.


11. The music industry will never die. The record industry is already dead. There is a difference.


12. Read “The Future of Music” by David Kusek and Gerd Leonhard.


13. Learn to sing, at least to backing vocal standard.


14. Most people are kicked out of bands for 'musical differences'. 'Musical differences' is code for “You are a Twonk”. Try very hard not to be a twonk. Seek professional help if you need to. Twonky behaviour includes things like not keeping your word, financial dishonesty, poor time keeping, sleeping with your drummer's girlfriend/boyfriend/mother and personal hygiene issues.


15. Don’t put up with twonkiness from your fellow band members either. Blatant twonkiness will only be exacerbated by drugs and excess money or alcohol.


16. At some point in your life do an 'Alpha' course.


17. At some point in your life read the New Testament in a modern translation like the New International Version or the English Standard Version.


18. Practising is when you try to play something that you can't play. Do some practising.


19. It goes without saying that drugs are bad. So I'll say it. Drugs are bad.


20. Say thank you to your parents. I bet you didn't buy that first guitar with your own money.



Please leave a comment (with your name) and say 'Hi'.

Let me know how you're doing on the above points. Agree/disagree?

Any pearls of wisdom that I've missed?


Matt Blick 2009. YoungGlory.Blogspot.Com


Saturday, 14 February 2009

I have rocked you

The reason I've not been blogging this week is that aside from the normal teaching I've been doing a school's production of 'We Will Rock You'. So a good 20 hours of my life this week has been spent in these luxurious surroundings...





...there's a reason why it's called 'The Pit'!



One of the real blessings of the week has been the chance to be part of a band almost entirely made of people I have taught (or teach)  


My Boys!

(L to R) Danny (keys), Ozzy (keys), Tom (drms), Tucker (gtr), Jono (bs), Westy (gtr), Me (gtr), (+Sam the sound guy lurking in the background)  

We seem to angling for an Ibanez endorsement...

Saturday, 10 January 2009

My top 5 weirdest gigs

In reverse order of weirdness.
5.Sam Fay's, Nottingham, England

Playing guitar with Funk/Rock band Dum Dums. The band has a glorious extended funky jam while the singer climbs over the furniture, stands on the back of people's seats whilst getting them to sing along & does impromptu break dancing on the pub floor. He also stops the gig to sing an a Capella version of Stevie Wonder's 'Happy Birthday' to a member of the audience. An almost illegal amount of fun.

4. The Old Vic, Nottingham, England

Playing Drums for Jahan, a Bandary ( Trad. Iranian Bagpipe Music) Band. Headline band ask us to play for half an hour. So we do. Non-stop. On the same beat. (The beat changes slightly when I try to surreptitiously rest one cramped-up limb after another).

3. US Navy Nuclear Submarine Base, Holy Loch, Dunoon, Scotland.

First of 2 nights there. Am kissed by a member of the audience after the solo to 'Sweet Child O' Mine'. Audience member is a very tall, sweaty, female naval officer who later threatens to literally carry me onto the dance floor so I can dance with her. I make excuses and she starts to harass the drummer instead. Very Scared.

2. Mansfield Community Opera Cast Party, Water Meadows Swimming Complex, Mansfield, England.

Foolishly go swimming first, then play bass, as enormous blisters rise on finger after finger of my right hand. Finish the gig playing with my little finger. The trumpet player plays "I'm forever blowing bubbles" with his trumpet under water.

1. Karakum Nightclub, Riga, Latvia.

Play a short Praise & Worship Set on the same bill as a Latvian Hard Rock band. Hastily scribbling the chords for them on a beer mat, they back me on a medley of 'Oh, Our Lord And King' (Alan Rose) and 'God Made Me Funky' (Def Jeff).
After no rehearsal whatsoever. Everyone likes it. Especially the bass player who throws his fist in the air and shouts "Yeah" at regular intervals during the song. Totally Surreal.