Showing posts with label George Harrison. Show all posts
Showing posts with label George Harrison. Show all posts

Monday, 6 February 2012

ReFAWMED




Well life's been busy compadres. Being slap bang in the middle of recording my first solo EP, trying to set up websites, and various other sites, keep Beatles Songwriting Academy ticking over, do the odd gig with Aistaguca and work be a dad yadda yadda there was NO WAY I was really going to be able to take part in FAWM this year.

But then I remembered something I had written on Beatles Songwriting Academy

The norm for today’s artists seems to be that they are either writing OR recording OR touring. Letting the studio or the road disrupt the habit of writing is a problem somewhat unique to SONGwriters.


Of course the band stopped touring in ’66 but The Beatles didn’t regard recording as a legitimate reason to take a break from songwriting either (which makes sense as they were always recording). And I’m not referring to the way many successful bands enter the studio with unfinished songs (though they were guilty of that too). I mean continuing to write new songs even as they were laying down songs they’d just finished.


Assistant producer Chris Thomas remembers Harrison playing Something to him on the harpsichord while they were recording Piggies for the White Album. McCartney gave Lennon a preview of MMT’s The Fool On The Hill while writing With A Little Help From My Friends for Sgt Pepper.




So George Harrison shamed encouraged me into it. After all I haven't written a song for a whole month! So I'm using FAWM to keep the wheels turning producing all manner or weird tracks (AKA business as usual) even as I concentrate on the EP. And I'll be gathering all the new tracks on an ultra lofi album called NonconFAWMist Vol.2





Yep that's me being artistic with my first attempt using GIMP (AKA Photoshop for poor people). But that is not me on the cover.

You can check out the first song, a setting of Psalm 22 called Israel's Praise right here

Other free songs by Matt Blick